The genres of imaginary worlds are rich and various - much more so than people often realise. They overlap, blur boundaries, play at the edges, and constantly invent new genres which multiply faster than the names we can invent for them. This eight-week evening course explores world-building for any kind of imaginary world, whether you want to develop a world you've already started building or create a world from scratch.
This course is currently running. The next Imaginary Worlds course will most likely run in February–March 2019. If you're interested in joining it, email me for a reminder closer to the time. Email megan @ thewritersgreenhouse.co.uk to get reminders.
Develop your world-building to create or enrich your own imaginary worlds: • explore the many genres • how to constrain magic • make unlikely stuff convincing • your world's physical detail • why your world matters • ripple-through effects • names and language • your characters' political and economic realities • techniques for exposition
In the first two weeks, you'll create multiple story ideas and build on two of these: one in the 'fantasy' camp (completely invented worlds and ideas using magic) and one in the 'sci-fi' camp (future worlds and ideas using real-world explanations). Over the next five weeks, you'll continue to build on either or both of those worlds, to develop their physical detail, why they matter, their ripple-through effects, their names and language, and your character's political and economic realities. If you're developing an existing world, you'll use the multiple story ideas to feed new possibilities into your world, then build on your existing world or one of the new ideas, as appropriate. In the final week, you'll discover a range of techniques for how to orientate your reader in this wonderful new world while telling a story.
Throughout the course, we'll look at extracts from a range of authors, plus articles and panels from FantasyCon and World Fantasy Con where top authors have discussed their approach to world-building.
Explore genre labels and create heaps of story ideas in multiple genres, and start developing your first story: with an idea that uses magic, create and constrain how the magic works in your world
A wildly imaginative world: Keep your "crazy" ideas and make them convincing! Start developing your second idea: with an idea that uses a sci-fi / real-world setting, turn the unfeasible into the stuff of story.
The details of your world: flesh out your story's landscape, flora, and fauna, avoid the famous fox-hare-plain problem, and use collage as a way to create a tangible sense of place.
Theme is the heart of imaginary worlds: when you invent a world, it works how you believe it would - or could - or should. Deepening your theme also generates more events for your story and develops your cast.
Small changes to a world have long shadows. Explore how moving away from obvious choices changes the very landscape of your world to create something much more unique and truer to your vision.
Explore ways to name characters and places, get some linguistic insight into making up snatches of a language, and start developing your world's idiom: the sayings, proverbs, and metaphors its inhabitants would use.
The political and economic realities of your world shape your characters' daily lives and are a rich seam to tap. Playing with the possibilities also creates more ripple-through effects and ideas for events.
Writing in a world your reader's never visited requires deft exposition. Learn how to orientate your reader in this wonderful new world while telling a story. Part Dark Art, part bagful of techniques!
These are the books we'll be touching on in class. You do NOT have to read the books in advance - you'll get the book blurbs and extracts from them to read in the class - but they're all highly recommended! The one exception is Ishiguro's Never Let Me Go: it's impossible to discuss it without spoilers, and it would be such a shame to spoil it, so please make sure you read that one. Note: if you read slowly and would like to get the extracts to read before class, let me know so I can email them to you before each week's class.
Again, you DON'T have to read the books in advance, but if you do want to buy them, Blackwells Oxford (on Broad Street) has helpfully agreed to make sure they have plenty in stock. I advise people to buy books from local physical bookshops rather than Amazon whenever possible, as that's much better for authors and for the book trade.
These reviews come from the Daily Info, where you can also read reviews of the other courses and workshops.
I joined the Imaginary Worlds course because I wanted to think more creatively, get writing and meet some new people who love sci fi and fantasy - this course fulfilled all three but so much more! Having thought I would never be able to write a novel, I came away with 4 great new storylines; I met some amazing new friends and the weekly get-togethers in Megan's house quickly became the highlight of my week.
Megan's sessions are well structured, timed to perfection and full of laughter. She runs masses of exercises to break down any mental barriers you might have about writing and to get you to put pen to paper. They suit total novices like me and people with a novel in progress who need an injection of enthusiasm and rigour to get things done. I think the most valuable thing I have learnt is that I have the power to write, to stop shooting myself down before I even start, the process of moving from first to final draft and most important of all - the need to create regular periods of time when you commit to writing.
Anna J 20 Sep 2017
Imaginary Worlds - Brilliant!!!
I'd been dithering about finding a writing course for a couple of years, fearing I wouldn't be able to come up with a good story, or that it would be a struggle working out a good plot, or simply that I haven't got it in me to write fiction anyway. I'm pretty good at emails, but I hadn't actually done any kind of creative writing since Primary School.
Megan got me writing ... stuff that I'd never imagined I could do ... in a way that I've never written before. Never in a million years would I have believed I could produce a scene featuring two teenage boys who got up to no good, set 30,000 years ago, creating a language based on Czech, inventing plant names, ceremonies, social structures, and locations. For me as a beginner writer, it was great not to focus on storyline and plot, but instead Megan got us tuning in to our imagination, pulling out anything that seemed like an 'idea' no matter how fantastical or daft it might seem at first. There was much shared discussion, and equally as much individual writing in small bite-sized chunks, inspired scribbling in coloured pens on neat little work sheets. We made collages with magazine pictures and special glue, we looked at cleverly focussed excerpts from books in which writers had effectively done what we were about to do. We had scrummy biscuits in the break.
Megan is a brilliantly focussed teacher with a hearty sense of humour. I'd arrive at the class tired after a full day at work, and very soon be buzzing with ideas and feeling inspired to just try something small, and see where it wanted to go. I actually couldn't wait to do my homework (most unusual) and found myself getting up early on a Sunday morning (even more unusual) just to try out an idea for 10 minutes without judging it ... and realised that I was now writing from a completely different part of my brain! You bet I've signed up for Story Elements now!
Judy 28 Apr 2017
What an incredible teacher Megan is! After attending the summer sessions, I caught the Writers Greenhouse bug and wanted to spend more and more time creating in this greenhouse, no, hot house of magical ideas. Each lesson is so well organised yet fluid and flexible. I have picked up so many tools and ideas from the activities and exercises. Megan is so supportive no matter where you are on your writing journey. The personal feedback from our submissions was so invaluable. I really didn't want the course to end and can't wait for the next one and the summer workshops.
Marneta 12 Apr 2017
February – March 2019, dates to be confirmed
Upper Wolvercote (North Oxford). There's free parking, a great bus route (#6), and beautiful canal-side walking routes.
£240 total for 8 weeks, payable in instalments with a £40 deposit
Email me if you're interested so I can contact you about dates closer to the time.
I won't share your email with anyone else. You'll get emails from me only, about upcoming courses, writing competitions, publishing opportunities, interesting articles about writing, new blog posts, and creative events in Oxford. All emails are sent via MailChimp and you can unsubscribe at any time. Add megan @ thewritersgreenhouse.co.uk to your address book if you want to keep the emails from vanishing into spam.