They have been meddling in things man was not meant to wot of. (Pratchett’s witches)
... meddle first, understand later. You had to meddle a bit before you had anything to try to understand. And the thing was never, ever to go back and hide in the Lavatory of Unreason. You have to try to get your mind around the Universe before you give it a twist. (Interesting Times, Pratchett)
He would meddle with dark arts and distorted creations, malediction's and evil convolution's [sic] (The Teddy-Bear Rescuer, Tout)
Poetry is for meddling with – part playground, part Dark Art – and for using. It's vital as an art form, as one of those things humans do (like singing in the shower and making food), and as an invaluable way of expressing yourself and processing thoughts and feelings. Writing poetry is far too useful to be locked away in an elitist golden cage: I want it to fly free and be accessible to everyone.
As with all my courses and workshops, this course is designed for absolute beginners and experienced writers alike – whether you’re still a bit scared of poetry from school, or working on your third pamphlet of acrostic wreathed sestinas. We’ll look at the musicality of language – rhymes, rhythm, and the effects of repeating different sounds, at poetic language and imagery, and at dozens of different forms, each of which allows you to play in a different way.
POETRY FORMS: A wide range of forms, including traditional rhyme-and-metre forms, Japanese syllable-count forms, forms based on repeating phrases or words, and free-verse forms that follow other patterns
RHYME AND MUSICALITY: What counts as “pure” rhyme and other types of rhyme, ways of finding rhymes and tips for using them effectively, alliteration (repeated consonants) and our associations with different sounds, and assonance (repeated vowels) and how they speed up or slow down a poem
METRE: How to mark word stress and the special patterns of some types of words, how natural sentence stress works in English, the English “beat” and the different rhythms we can create with that
POETIC LANGUAGE: Working with imagery, the power of unexpected phrasing, economy of language, and a sense of meaning
Each lesson is themed around a poetry form and weaves in the other three strands, with time to write or start writing that day’s poem in class.
Each week, you’ll also get a booklet of poetry prompts for the week ahead, with a mix of suggestions for topics, new forms, and stylistic approaches to play with. I encourage you to take the “poem a day” challenge, but for those who’re busier, there’s also the option of a-bit-of-poem-writing-a-day, and you can reset which you’re doing on a weekly basis. NB: Writing a poem a day doesn’t mean writing a great poem a day! This is like an artist doing daily sketches, not daily oil paintings. Lots of them will just be trying out new forms with doggerel, or little exercises, which will feed into your “oil-painting” poems. Through the booklets, you’ll also discover many more forms than we can cover in class alone, including a range of “quickie” forms for when you need to write a very hasty poem a day!
The course will end just before NaPoWriMo / GloPoWriMo starts on 1 April. This is National (/Global) Poetry Writing Month, when poets all over the world write a poem a day, and heaps of helpful websites offer daily prompts. So if you’ve caught the poem-a-day bug and want to continue, you’ll have plenty of company.
Individual feedback: In weeks 4 and 7, you’ll have the opportunity to submit a poem for individual written feedback.
Peer feedback is valuable with all writing and especially so in poetry. In the first week, we’ll look at how to give useful supportive feedback, what kinds of things you can comment on, and what to do if you’re struggling with someone’s poem. For the next six weeks, you’ll have peer feedback on one of your poems every second week in small groups of 4, maximum. You’ll be able to choose the poem beforehand: I’ll never ask you to share a poem you’ve just written in class.
As well as the example poems we’ll look at in class, you can borrow a variety of poetry magazines / journals, to read other people’s contemporary poetry and see the styles each journal showcases.
Email me at megan @ thewritersgreenhouse.co.uk and let me know if you can make the Thursday course or if you'd like to put your name down for a possible Wednesday course.
7 Feb – 28 Mar 2019
If the Thursday course fills up, I'll run an additional course on
6 Feb – 27 Mar 2019
so if you can't do Thursdays, I can pencil you in for Wednesdays
Upper Wolvercote (North Oxford). There's free parking, a great bus route (#6), and beautiful canal-side walking routes.
£240 total for 8 weeks, payable in instalments with a £40 deposit
Email me and let me know if you can make the Thursday course or if you'd like to put your name down for a possible Wednesday course.
I won't share your email with anyone else. You'll get emails from me only, about upcoming courses, writing competitions, publishing opportunities, interesting articles about writing, new blog posts, and creative events in Oxford. All emails are sent via MailChimp and you can unsubscribe at any time. Add megan @ thewritersgreenhouse.co.uk to your address book if you want to keep the emails from vanishing into spam.